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HANS THE GUARD RAPE GAY XXX FREE
But maybe for the first time, he does make a choice and it’s a free one.You are about to enter a website that contains explicit material (pornography). He doesn’t buy himself a good dinner or smell the flowers in the park. He wanders through a gay bar, like a tourist on a bus taking in the sights.Īnd that’s when he discovers what freedom can be. He’s just a forlorn guy standing alone on a dreary street with no sign of sky, or trees or plants. No one meets him at the prison gate he has no apparent home he has no belongings. It’s a hint that in this soulless place, at least there’s a possibility of kindness.Īnd then one part of Paragraph 175 is repealed, and Hans gets out of prison. But when Hans loses a friend, one guard, for just a moment, looks like he understands. It doesn’t come early and the film seems headed in another direction, maybe attempted escape. The surprise in the film is the tenderness that emerges. Prison routine sucks the humanity out of everyone. And aside from one young and sweet-looking former teacher, also a Paragraph 175 prisoner, the prisoners and the guards look both empty in the eyes and angry. The yard where prisoners get to walk around and even talk to each other is inside the prison and surrounded by the harsh prison building itself. You yearn for a touch of green, something to break the unrelenting drab hostility of this place.Ĭoncrete and metal encase the prisoners. He weathers the abuse, and the pugnacious expression on his face shows that he will probably never give in.īut the good prison films and writing over the past 2,000 years or so are about the paradox of the brutality faced by the body and the liberation of the mind and spirit. One of his fellow prisoners even tells Hans to ease up. The images of the sex and the beatings are graphic and confrontational, just like Hans himself. Hans has no trouble spotting other Paragraph 175 prisoners, and he’s sexually aggressive, which gets him more beatings and more time in solitary. His cellmate Viktor (Georg Friedrich) also beats him for being gay. Hans is beaten by guards and thrown into solitary confinement. Sebastian Meise’s Great Freedom is a prison film, and at times a brutal one. The metaphor is obvious - same clothing, just without the decoration. His prison job then is to rip the insignia from Nazi uniforms and make them re-usable. And while the end of the war freed Hans from Auschwitz, he’s really just transferred to a different prison. Hans is not only gay, he’s Jewish - a double whammy. The tattooed letter and numbers on his forearm show that the Nazis had him in Auschwitz. When the film jumps back to 1945, he’s thrown into prison on the same charge, and this time, the guard who escorts him to his cell is an American soldier serving in the occupation forces after World War II.Īnd that’s not the first time for Hoffmann either. And it’s not the first time Hoffmann has been jailed.
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Hans violates an infamous law called Paragraph 175 that was written into the German Criminal Code in 1871 and not fully repealed until 1994.
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He’s then captured and sent to prison for having sex in that bathroom. Hans Hoffmann (Franz Rogowski) is one of the men observed. The police are looking for gay men to bust and the people on camera look like bugs about to be squashed. Great Freedom opens in 1968 with surveillance footage of a men’s bathroom in Berlin.